Michael S. Lee’s work focuses on the elucidation of process in the plastic arts. He develops reinterpretations of concrete present states and reformulates dynamic interventions to explain, consider, and expand the relationships of forms and objects. Each object, aesthetic, and internal thought is the result of multiple processes, and each is followed by innumerable consequences.
Things Become Things Which Were Once
In an effort to revitalize and redistribute the influences of past machines and natures, remnants are proliferated as a texture and eventually congregate into autonomy once more. The consequence of elaborate past proffers illuminating hindsight and future projections.